By Compiled with a Preface by Norman Colbeck. Edited by Tirthankar Bose, with an Introduction by William E. Fredeman
The Colbeck assortment used to be shaped over part a century in the past by means of the Bournemouth bookseller Norman Colbeck. Focusing totally on British essayists and poets of the 19th century from the Romantic circulation in the course of the Edwardian period, the gathering good points approximately 500 authors and lists over 13,000 works. Entries are alphabetically prepared by means of writer with copious notes at the and binding of every replica. 9 appendices offer listings of chosen periodicals, sequence guides, anthologies, yearbooks, and topical works.
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Additional resources for A Bookman's Catalogue: The Norman Colbeck Collection of Nineteenth-Century and Edwardian Poetry and Belles Lettres, Volume 1: A-L
Another copy, identical but without presentation inscription. Gloucestershire. February [to December] 1914. Above title is taken from the third number. A complete set of the 4 numbers comprising volume 1 (all published) together with an additional copy of the first part bearing "(Second Edition)" at foot of upper cover-the only part to be so reissued. Tipped-in is a printed receipt form for sets of New Numbers (1914), made out to H. , who subscribed 15 shillings. This publication was managed by Abercrombie, the imprint incorporating his address at Dymock, as in his own The Sale of Saint Thomas, published in 1911.
Post-Prandial Philosophy. Chatto & Windus, 1894. Beige coloured linen, top edges uncut, others trimmed. " 13. At Market Value: A Novel. 2 vols. Chatto & Windus, 1894. Blue crocodile-skin patterned cloth, pale fern-leaf designed end-papers, publisher's 32 page list at end of first volume dated September 1894. 14. The Lower Slopes: Reminiscences of Excursions round the Base of Helicon, Undertaken for the Most Part in Early Manhood. E. Mathews & J. Lane, 1894. Light brown cloth, all edges uncut, publisher's 16 page list for September 1893 at end.
11. Laurence Bloomfield in Ireland: A Modern Poem. Macmillan, 1864. Green diagonal bead-grain cloth, only lower edges trimmed. Chocolate brown end-papers with binder's ticket of Burn. Inscribed: "From the Author"-on half-title in the handwriting presumably of a publisher's clerk, not of the author's. Errata slip inserted. 12. Another copy, virtually identical with above. Though the end-papers are the same, the binder's ticket of Burn is not present. There is an exactly similar autograph presentation inscription on half-title, and same errata slip inserted.